Craft, Relational Aesthetics and Ethics of Care
A conceptual framework for looking and listening operates within aesthetic and affective moments when crafting objects. Assembling and modifying Sea Balls into arranged composition is my craft process that I use to access a state of mind play. Each found and modified object represents a key theoretical framework that I connect and re-organize in relation to each other to produce new ways of perceiving. Considerations of Massumi, Fish and Jameson’s (2002) notion of perception and how I experience affect through embodiment in the moment of re-crafting and re-assembling items is central to the practice. Emergent ideas occur through re-crafting found objects in conjunction with broader considerations of relational aesthetics.
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