Creating transnational, intercultural arts’ interactions: African diasporic dialogues

Authors

  • Alix Pierre Spelman College

DOI:

https://doi.org/10.18733/cpi29502

Abstract

Painted with broad as well as, highly nuanced brush strokes, this is a comprehensive essay. Initially, it traces and later weaves within the larger discussion, the influences of Marcus Garvey’s philosophy and his lasting contributions to Africans in the diaspora. As importantly, the essay highlights the exceptional works of two Jamaican-born artists who reside in the USA. Thirdly, the essay explores some of the Miami-based Diaspora Vibe Cultural Arts Incubator’s, (DVCAI’s) intercultural exchanges, in which artists challenge dominant Western perspectives. Fourthly, the essay summarizes key aspects of DVCAI’s international cultural exchange in Jamaica. The recent, transcultural arts’ exchanges exemplify, reciprocal dialogues between the DVCAI’s representatives and the Jamaican arts community, specifically, with artists who adopt a Freirean pedagogy and focus on significant social justice issues in a postcolonial country.

Author Biography

Alix Pierre, Spelman College

Alix Pierre, PhD, teaches at Spelman College in the Department of International Studies. His research focuses on the Diasporan retention and transformation of culture that includes the feminist perspective. Since 2015, he has been collaborating with Diaspora Vibe Cultural Arts Incubator (DVCAI) in Miami as co-project manager and scholar-in-residence. He is on the editorial board of Caribbean Vistas Journal: Critiques of Caribbean Arts and Cultures

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Published

2019-12-18