The Remembered Children of Maui - Pan-Pacific Conversations and Solildarities

Authors

  • Noah Romero University of Auckland
  • Carol Mutch University of Auckland
  • Wairehu Grant University of Waikato

DOI:

https://doi.org/10.18733/cpi29640

Abstract

Call for submissions for the Summer 2024 (Volume 16 No. 1) issue of Cultural and Pedagogical Inquiry entitled The Remembered Children of Maui - Pan-Pacific Conversations and Solidarities, with guest co-editors Noah Romero, Carol Mutch and Wairehu Grant.

Author Biographies

Noah Romero, University of Auckland

Co-Editor of the Summer 2024 issue of Cultural and Pedagogical Inquiry entitled The Remembered Children of Maui - Pan Pacific Conversations and Solidarities. Noah is a PhD. Candidate in Education at the University of Auckland, New Zealand focusing on Critical Studies in Education and Māori and Indigenous Education.

 

 

Carol Mutch, University of Auckland

Co-Editor of the Summer 2024 issue of Cultural and Pedagogical Inquiry entitled The Remembered Children of Maui - Pan-Pacific Conversations and Solidarities. Dr. Mutch is a professor of Critical Studies in Education in the Faculty of Education and Social Work at the University of Auckland in New Zealand.

Wairehu Grant, University of Waikato

Co-Editor of the Summer 2024 issue of Cultural and Pedagogical Inquiry entitled The Remembered Children of Maui - Pan-Pacific Conversations and Solidarities. Based in Kirikiriroa (Hamilton) at the University of Waikato in New Zealand Wairehu is a Māori researcher (Ngāti Maniapoto, Ngāti Tūwharetoa) currently in the final year of a PhD thesis exploring Māori creativity and activism within Aotearoa's contemporary punk scenes.

An intuitive self-portrait, inspired by the pieces inclluded in this journal that explore memory through multi-sensory experiences. I tried to create through various ways of knowing. I wanted to make something that you could run yur fingers along, and feel the different textures, the bumps in the grain of the wood, the brush strokes, the paper flowers, the cloth material, all of it. If you got close to it I wanted you to be able to smell the mix of coffee, acrylic paint, and the subtle aroma of dried flowers. I wanted to invoke textures through sight with various patterns and mark making. Lastly, I used past journal entries to create the flowers adding another layer of memory to the artwork that is unique and persona to me, reflecting on how each person's way of remembering is their own. Mihaela Slabe.

Downloads

Published

2022-07-15

Issue

Vol. 13 No. 1 (2021): Multisensory Storytelling: Creating Different Forms of Knowing, Being and Living in our World

Section

Call for Submissions