Honouring Caribbean Folk Cultures: A Personal Reflection

Authors

  • Glenda-Rose Layne

DOI:

https://doi.org/10.18733/cpi29506

Abstract

Drawing on my considerable knowledge of the field, this essay examines key components of the intangible cultural heritage of several Caribbean countries. It maps pictures of cultural similarities which can be traced to their roots in traditional sub-Saharan, African cultures. The article demonstrates that oral African cultural traditions derived from a rich cultural heritage are shared by the former Anglo and Francophone, Caribbean colonies. The article suggests that the cultural similarities in the folk culture, help Caribbean people to identify with each other as members of the larger African diaspora. Furthermore, the article also explores possible roles of synergy theatre, digitization and animation as mechanisms to maintain and retain the folk culture, once disseminated exclusively by our oral cultural traditions.

Author Biography

Glenda-Rose Layne

Glenda-Rose Layne holds a Post Graduate Diploma in Arts and Cultural Enterprise Management from the University of the West Indies (UWI), a Masters in Carnival Studies, and is presently a PhD Student at the University of Trinidad and Tobago (UTT) where she is pursuing studies in Cultural Studies with a focus on the Traditional and Indigenous Arts of the Caribbean.

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Published

2020-01-06