Walking-Writing-Weaving
An A/r/tographic Reimagination of the Human-Algorithm Relationship
DOI:
https://doi.org/10.18432/ari29754Anahtar Kelimeler:
a/r/tography- algorithms- walking- weaving- agency- entanglement- self-formationÖzet
Internet algorithms influence the news we read, the products we buy, the music we listen to, the people we interact with, and even the words we use to communicate. Our preferences, beliefs, perceptions, and behaviours are all shaped by algorithmic processes, threatening our capacities for self-awareness and self-formation. What’s more, algorithms operate smoothly and imperceptibly under the surface of our postdigital existence. How can we begin to make sense of our relationships with algorithms, knowing that they operate beyond the limits of perception? How can we reconsider the human-algorithm relationship as a way of opening new possibilities of being? Using a/r/tographic inquiry, I addressed these questions through a months-long process of walking, writing, and weaving, revealing insights that may help illuminate a path toward living with the complexities and contradictions while hanging on to the parts of ourselves that remain resistant to domination.
İndir
Yayınlanmış
Nasıl Atıf Yapılır
Sayı
Bölüm
Lisans
Telif Hakkı (c) 2024 Rachel Moylan
Bu çalışma Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License ile lisanslanmıştır.
Authors who publish with Art/Research International agree to the following terms:
a. Authors retain copyright and grant the journal right of first publication and the right to sublicense the Contribution, in the form in which it is published by the journal, to others under the terms and conditions of the of the Creative Commons Attribution-NonCommercial-NoDerivs (CC BY-NC-ND) that allows others to download the work and share the work with others with an acknowledgement of the work's authorship and initial publication in this journal, but they cannot change the work in any way or use any part of the work commercially.
b. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive public distribution and display of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
c. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
d. Authors wishing to include items (such as images or other media, or any creative works of others whether previously published or not) must contact the original copyright holder to obtain explicit permission to publish these items in Art/Research International. Writing permission should include: the title(s) of any copyrighted work, original place of publication if applicable, and an acknowledgement of having read Art/Research International's copyright notice. Authors are responsible for obtaining this permission and keeping it in their own records for later verification.
