The Poetics of Kinship
DOI:
https://doi.org/10.18432/ari29780Anahtar Kelimeler:
kinning- poetic inquiry- confluence- more-than-human- mystery- languageÖzet
We write about the poetics of kinship with birds, trees, stones, and places as an act of resistance to neo-literal, neo-liberal destruction of refuge for non-human beings. Through research in which we situate ourselves in relation to the more-than-human, we take up kin as a verb. We offer experiences of kinning—that is, being present with that which is alive, has agency, and gives voice—as an invitation to readers to open themselves to listen in life and in research. We write in dialogue, through letters to each other, and we write poetically. With poetry’s attention to metaphor, embodiment, and vision, it is the natural language for describing the experience of kinning. Inquiring poetically helps us regain a communicative being-in-relation with wild, more-than-human others at a time of ecological distress, and to seek to better appreciate mystery and understandings that exceed human forms of knowing. Through this paper, we theorise from within our understandings and experiences about poetically kinning with the more-than-human.
Yayınlanmış
Nasıl Atıf Yapılır
Sayı
Bölüm
Lisans
Telif Hakkı (c) 2024 Margaret McKeon, Kedrick James
Bu çalışma Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License ile lisanslanmıştır.
Authors who publish with Art/Research International agree to the following terms:
a. Authors retain copyright and grant the journal right of first publication and the right to sublicense the Contribution, in the form in which it is published by the journal, to others under the terms and conditions of the of the Creative Commons Attribution-NonCommercial-NoDerivs (CC BY-NC-ND) that allows others to download the work and share the work with others with an acknowledgement of the work's authorship and initial publication in this journal, but they cannot change the work in any way or use any part of the work commercially.
b. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive public distribution and display of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
c. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
d. Authors wishing to include items (such as images or other media, or any creative works of others whether previously published or not) must contact the original copyright holder to obtain explicit permission to publish these items in Art/Research International. Writing permission should include: the title(s) of any copyrighted work, original place of publication if applicable, and an acknowledgement of having read Art/Research International's copyright notice. Authors are responsible for obtaining this permission and keeping it in their own records for later verification.
