Material-Relational Following of an Artist-Curator Relationship in Movement
A Reflection of my Relationship with the Artist Regitze Karlsen
DOI:
https://doi.org/10.18432/ari29798Anahtar Kelimeler:
material-relational following- curating- ecology- Anthropocene- affect theory- Regitze KarlsenÖzet
In this article, I explore insights gained in the investigation of a personal artist-curator relationship using Katve-Kaisa Kontturi’s methodology of material-relational following. In my role as a curator, I track my relationship with Danish artist Regitze Karlsen as it unfolded from 2017 until 2023; from my first meeting with the artist and her work, through collaborative work on an exhibition, and a studio visit afterwards. I show how the method of following provides in-movement knowledge of the artist-curator relation, which makes it possible to conceive of the art-work as an expanded process of ideas, sites, materials, and affects between artworkers. Moving between sections of lived experiences and theoretical reflections, I conclude that the curatorial modes of being hooked, curiosity, and concern, were essential for my following of Regitze’s and my artist-curator relation.
İndir
Yayınlanmış
Nasıl Atıf Yapılır
Sayı
Bölüm
Lisans
Telif Hakkı (c) 2024 Joachim Friis
Bu çalışma Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License ile lisanslanmıştır.
Authors who publish with Art/Research International agree to the following terms:
a. Authors retain copyright and grant the journal right of first publication and the right to sublicense the Contribution, in the form in which it is published by the journal, to others under the terms and conditions of the of the Creative Commons Attribution-NonCommercial-NoDerivs (CC BY-NC-ND) that allows others to download the work and share the work with others with an acknowledgement of the work's authorship and initial publication in this journal, but they cannot change the work in any way or use any part of the work commercially.
b. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive public distribution and display of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
c. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
d. Authors wishing to include items (such as images or other media, or any creative works of others whether previously published or not) must contact the original copyright holder to obtain explicit permission to publish these items in Art/Research International. Writing permission should include: the title(s) of any copyrighted work, original place of publication if applicable, and an acknowledgement of having read Art/Research International's copyright notice. Authors are responsible for obtaining this permission and keeping it in their own records for later verification.
