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Transcultural: A Journal of Translation and Cultural Studies
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  3. Vol. 6 No. 1 (2014): Translating Street Art

Vol. 6 No. 1 (2014): Translating Street Art

					View Vol. 6 No. 1 (2014): Translating Street Art
Special Issue Guest Editor: Elena Siemens
Published: 2014-11-04

TRANSLATION STUDIES

  • Paris Wall Flowers, Moscow Wall Wars

    Elena Siemens
    1-10
    • PDF
  • CONCRETE IMPRESSIONS: A POETIC VISION OF CUBAN GRAFFITI

    Stephen Cruikshank
    11-15
    • PDF
  • Minor Marks and Modifications: Foot Traffic

    Craig Campbell
    16-27
    • PDF
  • Lumumba’s Bike

    Piet Defraeye
    28-42
    • PDF
  • Faking Translation in Hallstatt: A Visit to Hallstatt Revisited I

    Susan Ingram, Markus Reisenleitner
    43-52
    • PDF
  • 'wtf is Barbara?'

    James Morrow
    53-55
    • PDF
  • Transforming Alyosha into Superman: Invented Traditions and Street Art Subversion in Post-Communist Bulgaria

    Bozhin Traykov
    56-66
    • PDF
  • Graffiti Silence

    Adriana Onita
    67-69
    • PDF
  • Conflicts of Interest, Culture Jamming and Subversive (S)ignifications: The High Fashion Logo as Locational Hip hop Artic

    Rebecca Halliday
    70-83
    • PDF
  • Joe Annie Street

    Johannes Birringer
    84-91
    • PDF
  • Clothes Lines

    Christine Wiesenthal, Elena Siemens
    92-96
    • PDF
  • Transatlantic Translations of the Button-down Shirt

    Nathaniel Weiner
    97-107
    • PDF
  • "East Germany Lives!”: An Encounter with Rural Graffiti

    Anne Winkler
    108-114
    • PDF
  • Contributors

    Anne Malena
    115-117
    • PDF

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TranscUlturAl aims to represent innovative interdisciplinary scholarship at the intersection of Translation Studies and Cultural Studies. TranscUlturAl seeks to contribute to the dialogue between cultures and languages by publishing essays, translations and creative pieces that explore interrelationships between translations and cultures, past and present, in global and local contexts. 

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