Vol. 4 Núm. 1 (2019): Making as method: Reimagining traditional and indigenous notions of “craft” in research practice

Cover image: Me and Kahukura whatu by Hinekura Smith

Publicado: 2019-02-27

Art/Research Editorial

• Special Issue: Making as Method: Reimagining Traditional and Indigenous Notions of “Craft” in Research Practice

  Esther Fitzpatrick, Rosemary C Reilly

  i-xvi

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Art/Research Theoretical Musings

• Whatuora: Theorizing "New" Indigenous Research Methodology from "Old" Indigenous Weaving Practice

  Hinekura Smith

  1-27

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• Beadworking as an Indigenous Research Paradigm

  Tiffany Dionne Prete

  28-57

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• Interweaving Contemporary Art and “Traditional” Crafts in Ethnographic Research

  Katerina Konstantinou, Aris Anagnostopoulos

  58-82

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• The Pianist’s Perception as a Working and Research Method: Encountering Intertextual and Phenomenological Approaches in Piano Playing

  Eveliina Sumelius-Lindblom

  83-105

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Art/Research In Action

• The Quilt Speaks: Crafting Gender and Cultural Norms in Hawaii

  Una Kimokeo-Goes

  106-126

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• The Needle as Medium: Using Embroidery to Speak to Ghosts

  Christine Rogers

  127-152

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• Storymaking Belonging

  Tracey Bunda, Robyn Heckenberg, Kim Snepvangers, Louise Gwenneth Phillips, Alexandra Lasczik, Alison L. Black

  153-179

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• A Canadian Selvage: Weaving Artistic Research into Resource Politics

  Ruth Beer, Caitlin Chaisson

  180-199

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• Stitchery Me, Stitchery Do

  Julie Brien

  200-221

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• Patterns Repeat: Transformation Through Creativity in Research about Land and Colonialism

  Margaret McKeon

  222-239

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• Crafting Living Inquiry with a Quilt of Children’s Images

  Corinna Peterken

  240-255

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• Woven Narratives: A Craft Encounter with Tapestry Weaving in a Residential Aged Care Facility

  Ilona Pappne Demecs, Evonne Miller

  256-286

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• Crafting Identities: Folding and stitching the self

  Kathryn Grushka, Michelle van Gestel, Clare Skates

  287-311

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• Pathology: A Diffractive Encounter of Machine/Body

  Jessica Smartt Gullion

  312-321

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• Quilt/cARTography: Using Craftivism to Explore Food Insecurity on a College Campus

  Allison Ray Reagan

  322-350

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• Crafting a DIY Campervan and Crafting Embodied, Gendered Identity Performances in a Hyper-masculine Environment

  Phiona Stanley

  351-380

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• Unplugged Craftivism: A Story of Humans and Environmental Education

  Zabe MacEachren

  381-405

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• Craft, Relational Aesthetics and Ethics of Care

  Belinda MacGill

  406-419

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Art/Research Reviews

• Settling the Soul through Va' (Relational) Ethics: An Ekphrastic Review of Hinekura Smith's "Whatuora: Theorizing 'New' Indigenous Methodology from 'Old' Indigenous Weaving Practice

  Fetaui Iosefo

  420-424

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• Pākehā Sampler wherein the Crafter Seams Research: An Ekphrastic Review of Christine Rogers's “The Needle as Medium: Using Embroidery to Speak to Ghosts”

  Sandra L. Faulkner

  425-428

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• An Ekphrastic Review of Ilona Pappene Demecs and Evonne Miller's "Woven Narratives: A Craft Encounter with Tapestry Weaving in a Residential Ages Care Facility

  Adrian Schoone

  429-432

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• An Ekphrastic Poem for Phiona Stanley: Crafting a DIY Campervan and Crafting Embodied, Gendered Identity Performances in a Hyper-masculine Environment

  James Burford

  433-435

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• Entanglements Across Time-Space: An Ekphrastic Poetic Response to "Craft, Relational Aesthetics and Ethics of Care" by Belinda MacGill

  Rosemary C. Reilly

  436-438

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